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The play's the thing at Moravian Academy, where rehearsals are always in
progress for some performance, be it Lower School Dessert Theatre or fall
drama; Middle School Improv or a spring production; Upper School Coffeehouse,
a musical, drama, or Shakespeare in the Rose Garden. Whether it's onstage,
backstage or in the control room, there's a spot for any student who wants
to get into the act.
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Moravian
Academy Upper School 2007/2008 Theatre Season
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COFFEEHOUSE
2007
Performances: November 16 & 17, 2007
7:30 PM
Dyer Theatre
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Coffeehouse is a variety show that
showcases the varied and unique talents of the
Upper
School
students and faculty.
All are welcome and encouraged to audition.
Past shows have included dance, soloists, bands,
dramatic skits, musicians, and the popular Senior Skit.
The Coffeehouse performances can also include
gymnastic routines, poetry, puppetry, magic, comedy
sportz, and many other possibilities.
Rehearsals are minimal and do not conflict with the fall
sports schedules which allows for a lot of school
involvement.
Coffeehouse has become one of the
highlights of the year and we hope you get involved!
If you have any questions, please contact Ms.
Winter
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Children
of
Eden
Music & Lyrics by Stephen
Schwartz
Book by John Caird
February 29, March 1,
2008 7:30 PM
March 2,
2008 2:00 PM
Dyer Theatre
Director, Nina Winter
Auditions: Monday, November
26th & Wednesday, November 28th
3:30-5:30 PM
Please prepare 16 bars of a music
theatre piece for the audition and be prepared to read
from the script. CDs and scripts are in the
library on reserve so that you can get familiar with the
show. DO NOT TAKE THEM OUT OF LIBRARY.
Children of Eden synopsis
From Stephen Schwartz (“Godspell”, “Pippin” and
“Wicked”) and John Caird of “Les Misérables”
comes a joyous and inspirational musical about parents,
children and faith... not to mention centuries of
unresolved family business!
Freely based on the story of Genesis, “Children Of
Eden” is a frank, heartfelt and often humorous
examination of the age-old conflict between parents and
children. Adam, Eve, Noah and the “Father” who
created them deal with the headstrong, cataclysmic
actions of their respective children. The show
ultimately delivers a bittersweet but inspiring message:
that "the hardest part of love... is letting
go."
Children of Eden is
Stephen Schwartz's favorite of his own shows. He wrote,
in answer to a question, "I think the work of which
I am most proud is Children of Eden, for
several reasons. To begin with, I think it’s my best
score musically. It also contains the song that is maybe
my personal favorite of my songs from a purely visceral
point of view, “Stranger to the Rain”, a song that
embodies how I feel about parenting (which is very
important to me), “The Hardest Part of Love”, and
above all, the song that most espouses my philosophy of
life and which, if I had one song to be remembered by,
is the one I would choose: “In the Beginning”. There
are more of the themes that I return to over and over
– personal responsibility, rebellion, intellectual
independence, as well as overcoming family dysfunctions
-- in this work than in any of my other shows. And I am
proud of the fact that I kept working on the show after
its initial failure in its
London
premiere, so that it has become a viable and often
performed piece that I know will live on after I’m
gone."
(Music Theatre International)
Characters
The show is written to be performed by an
ensemble of STORYTELLERS
Which
must be filled out by a choir (which can be any size and
multi-generational but must have at least eight singers
in it), as well as the following principal
actor/singers:
FATHER
ADAM
NOAH
EVE
MAMA NOAH
CAIN
JAPHETH
SETH
SHEM
APHRA
AYSHA
YONAH
YOUNG CAIN
YOUNG ABEL
SNAKE
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Dracula
By
Steven Dietz
April
25 & 26, 2007 7:30 PM
Dyer Theatre
Director,
Stephen Molloy
"I want your fear. For your
fear, like a current, rushes through your body. Your
fear makes your heart pound, it renders your veins rich
and full. Your fear hemorrhages deliciously within
you." This new adaptation restores the suspense and
seduction of Bram Stoker's classic novel to the stage.
As Count Dracula begins to exert his will upon the
residents of
London
, they try to piece together the clues of his
appearances—in a valiant attempt to save themselves
from a hideous fate. Rich with both humor and horror,
this play paints a wickedly theatrical picture of
Stoker's famous vampire. (Dramatists)
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